Description
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p1, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar for movie makers.
12.1MP Exmor RS BSI CMOS Sensor and BIONZ XR Processor
A redesigned 12.1MP full-frame CMOS sensor now features a back-illuminated Exmor RS design in order to achieve improved clarity and reduced noise along with the expectedly impressive sensitivity, from ISO 80-102400 with an extended ISO 40-409600 range. The updated sensor design also yields 2x faster readout speeds than previous generations and, when coupled with the revised BIONZ XR image processor, greatly reduces rolling shutter by 3x and up to 8x faster processing and overall camera handling. The sensor and processor combination also helps to achieve a wide dynamic range, of up to approximately 14 stops for stills and 15 stops for video, and 10 fps continuous shooting for up to 1000 uncompressed raw files for stills.
UHD 4K 120p Video, 10-Bit 4:2:2 Internal Recording
- UHD 4K recording is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility.
- Two codecs have also been developed: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
Recording Flexibility
- The high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control.
- Suiting long-form recording, the a7S III does not have any recording time limits to allow for unlimited clip lengths. The camera’s physical design also features an improved heat-dissipating structure to promote longer possible recording times, up to an approximate 60-minute recording time at 4K60p.
Advanced Color Control
- S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
- Affording extensive customizable color and gamma controls, the you can adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
Advanced Color Control
- S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
- Affording extensive customizable color and gamma controls, the you can adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
Autofocus and Image Stabilization
Fast Hybrid AF System
Covering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
5-Axis SteadyShot INSIDE Image Stabilization
- The a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
- For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
- Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
Body Design and Connectivity
- An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 120 fps High Quality setting for smooth motion rendering and the finder’s physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
- A first for a7-series cameras, a side-opening 3.0″ 1.44m-dot vari-angle articulating screen benefits working from high and low angles as well as a front-facing position for vlogging or other self-recording needs. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
- Redesigned menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
Versatile and Durable Design
- Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
- Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
- Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
- Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 510 shots/80 minutes of recording per charge when using the viewfinder or 600 shots/95 minutes of recording per charge when using the rear LCD.
Ports and Connectivity
- Full-size HDMI A port offers a more reliable connection when working with external recorders.
- A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
- Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
- Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
- Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control
- USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.
Specification:
Lens
| Lens Mount | E-mount |
Image Sensor
| Aspect Ratio | 3:2 |
| Number Of Pixels (Effective) | Approx. 12.1 megapixels |
| Number of Pixels (total) | Approx. 12.9 megapixels |
| Sensor type | 35 mm full frame (35.6×23.8 mm), Exmor R CMOS sensor |
| Anti-Dust System | Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism) |
Recording (still images)
| IMAGE SIZE (PIXELS) [4:3] | 35-mm full frame L: 3776 x 2832 (11 M), M: 2464 x 1848 (4.6 M), S: 1888 x 1416 (2.7 M), APS-C L: 2464 x 1848 (4.6 M), M: 1888 x 1416 (2.7 M), S: 1232 x 920 (1.1 M) |
| Image Size (pixels) [16:9] | 35-mm full-frame L: 4240 x 2384 (10 M), M: 2768 x 1560 (4.3 M), S: 2128 x 1200 (2.6 M), APS-C L: 2768 x 1560 (4.3 M), M: 2128 x 1200 (2.6 M), S: 1376 x 776 (1.1 M) |
| IMAGE SIZE (PIXELS) [1:1] | 35-mm full frame L: 2832 x 2832 (8 M), M: 1840 x 1840 (3.4 M), S: 1408 x 1408 (2.0 M),APS-C L: 1840 x 1840 (3.4 M), M: 1408 x 1408 (2.0 M), S: 912 x 912 (0.8 M) |
| 14bit RAW | Yes |
| Picture Effect | – |
| Creative Style | – |
| Picture Profile | Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset |
| CREATIVE LOOK | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
| Dynamic Range Functions | Off, Dynamic Range Optimiser (Auto/Level (1–5)) |
| Colour Space | sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Colour) |
Recording system (Still Image)
| Recording Format | JPEG (DCF Ver. 2.0, Exif ,Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
| Image Size (pixels) [3:2] | 35-mm full frame L: 4240 x 2832 (12 M), M: 2768 x 1848 (5.1 M), S: 2128 x 1416 (3.0 M), APS-C L: 2768 x 1848 (5.1 M), M: 2128 x 1416 (3.0 M), S: 1376 x 920 (1.3 M) |
| Image Quality Modes | RAW (Compressed / Uncompressed), JPEG (Extra fine / Fine / Standard), HEIF(4:2:0 / 4:2:2) (Extra fine / Fine / Standard), RAW & JPEG, RAW & HEIF |
Recording (movie)
| Recording Format | XAVC S, XAVC HS |
| Colour Space | Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Colour) |
| Picture Effect | – |
| Creative Style | – |
| Picture Profile | Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset |
| CREATIVE LOOK | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
| MOVIE RECORDING SYSTEM (XAVC HS 4K) | 3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200 Mbps), 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280 Mbps), 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps / 100 Mbps)* details of frame rate |
| MOVIE RECORDING SYSTEM (XAVC S 4K) | 3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200 Mbps), 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280 Mbps), 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps), 25p (140 Mbps)* details of frame rate |
| MOVIE RECORDING SYSTEM (XAVC S HD) | 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)* details of frame rate |
| MOVIE RECORDING SYSTEM (XAVC S-I 4K) | 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)* details of frame rate |
| MOVIE RECORDING SYSTEM (XAVC S-I HD) | 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)* details of frame rate |
| Slow and quick motion (shooting frame rate) | NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps* details of frame rate |
| Movie Functions | Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 [6 Mbps], 1920 x 1080 [9 Mbps], 1920 x 1080 [16 Mbps]), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output (HDMI) |
Recording System (movie)
| VIDEO COMPRESSION | XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265 |
| AUDIO RECORDING FORMAT | XAVC S: LPCM 2ch, LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch(48 kHz 24 bit), MPEG-4 AAC-LC 2ch |
Recording System
| Location information Link from smartphone | Yes |
| Media | SD memory card, SDHC memory card (UHS-I/II-compliant), SDXC memory card (UHS-I/II-compliant), CFexpress Type A memory card |
| Memory Card Slot | SLOT1: Multi slot for SD (UHS-I/II-compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II-compliant) memory card/CFexpress Type A card |
| Recording mode on 2 memory cards | Simult. Rec, Sort, Auto Switch Media, Copy |
Noise Reduction
| Noise Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off |
White balance
| White Balance Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Colour Temperature (2500 to 9900K) & colour filter / Custom |
| SHUTTER AWB LOCK | Yes (Shut. Halfway Down / Cont. Shooting / Off) |
Focus
| Focus Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| Focus Sensor | Exmor R® CMOS sensor |
| Focus Point | 35-mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF) |
| Focus Sensitivity Range | EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached) |
| Focus Mode | AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| Focus Area | Wide / Zone / Centre Fix / Spot / Expand Spot / Tracking |
| EYE AF / SUBJECT RECOGNITION AF | [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select) |
| Other Features | Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point |
| AF Illuminator | Yes (with Built-in LED type) |
| AF Illuminator range | Approx. 0.3 m—approx. 3.0 m (with FE 28–70 mm F3.5-5.6 OSS lens attached) |
| Focus type with LA-EA3 (Sold separately) | Phase-detection |
Exposure
| Metering Sensor | Exmor R® CMOS sensor |
| Metering Sensitivity | EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached) |
| Metering Mode | Multi-segment, Centre-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight |
| Exposure Compensation | +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3 EV [1/3 EV steps]) |
| Exposure Bracketing | Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light) |
| AE Lock | Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto) |
| Exposure Modes | AUTO (iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode) |
| ISO Sensitivity | Still images: ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.) |
| Anti-Flicker Shoot. | Yes |
| Scene Selection | – |
Exposure
| Metering Type | 1200-zone evaluative metering |
Viewfinder
| Viewfinder Type | 1.6 cm (0.64 type) electronic viewfinder (colour) |
| Number of Dots | 9 437 184 dots |
| Field Coverage | 100% |
| Magnification | Approx. 0.90 x (with 50-mm lens at infinity, -1m-1) |
| Dioptre Adjustment | -4.0 to +3.0 m-1 |
| Eye Point | Approx. 25-mm from the eyepiece lens, 21-mm from the eyepiece frame at -1m-1 (CIPA standard) |
| DISPLAY FUNCTION | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC |
| Finder Frame Rate Selection | NTSC mode: STD 60fps/HI 120fps, PAL mode: STD 50fps/HI 100fps |
LCD Screen
| Monitor Type | 7.5 cm (3.0-type) type TFT |
| Touch Panel | Yes |
| Number of Dots | 14,40,000 dots |
| Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode |
| Adjustable Angle | Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg. |
| Focus Magnifier | Yes, Focus Magnifier (35-mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x) |
Other Features
| PlayMemories Camera Apps™ | – |
| Clear Image Zoom | Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD) |
| Digital zoom | Smart zoom (Still images): 35-mm full frame: M: Approx. 1.5x, S: Approx. 2x, APS-C: M: Approx. 1.3x, S: Approx. 2x, Digital zoom (Still images): 35-mm full frame: L: Approx. 4x, M: Approx. 6.1x, S: Approx. 8x, APS-C: L: Approx. 4x, M: Approx. 5.2x, S: Approx. 8x, Digital zoom (Movie): 35-mm full frame: Approx. 4x, APS-C: Approx. 4x |
| Face Detection | Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority |
| Self-Portrait Self-Timer | – |
| Others | Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate |
Shutter
| Type | Electronically-controlled, vertical-traverse, focal-plane type |
| Shutter Type | Mechanical shutter/Electronic shutter |
| Shutter Speed | Still images: 1/8000 to 30 s, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) |
| Flash Sync. Speed | 1/250 seconds |
| Electronic Front Curtain Shutter | Yes (ON/OFF) |
| Silent Shooting | Yes (ON/OFF) |
Flash Control
| Type | – |
| Guide No. | – |
| Flash coverage | – |
| Control | Pre-flash TTL |
| Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
| Flash Modes | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync. |
| Recycling Time | – |
| External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatibility with the Auto-lock accessory shoe |
| FE Level Lock | Yes |
| Wireless Control | Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
Image stabilisation
| Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
| Compensation Effect | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.) |
Drive
| Drive Modes | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
| Continuous Drive Speed (approx. max.) | Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps |
| No. of recordable frames (approx.) | JPEG Extra fine L: over 1,000 frames, JPEG Fine L: over 1,000 frames, JPEG Standard L: over 1,000 frames, RAW: over 1,000 frames, RAW & JPG: over 1,000 frames, RAW (Uncompressed): over 1,000 frames, RAW (Uncompressed) & JPG: over 1,000 frames |
| Self-Timer | 10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer |
| Pixel Shift Multi Shooting | – |
Playback
| Photo Capture | Yes |
| Modes | Single (with or without shooting information Y RGB histogram and highlight / shadow warning), Index view, Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x), Auto Review, Image orientation, Folder selection (Date / Still / Movie), Protect, Rating, Display as Group |
Print
| Compatible Standards | Exif Print, Print Image Matching III |
Custom Function
| Type | Custom key settings, Programmable Setting (Body 3 sets / memory card 4 sets), My Dial Settings, My Menu, Reg Cust Shoot Set |
Lens Compensation
| Setting | Peripheral Shading, Chromatic Aberration, Distortion |
Interface
| PC Interface | Mass-storage / MTP |
| Multi/Micro USB Terminal | Yes, Type-C® Terminal (SuperSpeed USB 5 Gbps [USB 3.2] compatible) |
| Sync Terminal | – |
| Bluetooth® | Yes (Bluetooth Standard Ver. 5.0 [2.4 GHz band]) |
| Multi Interface Shoe | Yes (with Digital Audio Interface) |
| Vertical Grip Connector | Yes |
| Mic Terminal | Yes (3.5 mm Stereo minijack) |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) |
| LAN Terminal | – |
| FUNCTIONS | FTP Transfer Func.,View on Smartphone, Remote control via Smartphone, NFC One-touch remote, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD |
Audio
| Microphone | Built-in, stereo |
| Speaker | Built-in, monaural |
Power
| Supplied Battery | One rechargeable battery pack NP-FZ100 |
| Battery Life (Still Images) | Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard) |
| Battery Life (Movie, actual recording) | Approx. 80 min (Viewfinder)/Approx. 95 min (LCD monitor) (CIPA standard) |
| Battery Life (Movie, continuous recording) | Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard) |
| Internal Battery Charge | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
| Power consumption with Viewfinder | Still images: Approx. 4.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: Approx. 7.6 W (with FE 28–70 mm F3.5–5.6 OSS lens attached) |
| Power consumption with LCD screen | Still images: Approx. 3.3 W (with FE 28–70 mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3 W (with FE 28–70 mm F3.5-5.6 OSS lens attached) |
| USB Power Supply | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
Others
| Operating Temperature | 32 – 104 degrees F / 0 – 40 degrees C |
Size and Weight
| Weight (with battery and memory card included) | Approx. 699 g, approx. 1 lb 8.7 oz |
| Dimensions (W x H x D) | Approx. 128.9 mm x 96.9 mm x 80.8 mm, Approx. 128.9 mm x 96.9 mm x 69.7 mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4, Approx. 5 1/8 x 3 7/8 x 2 3/4 (FROM GRIP TO MONITOR) |
In the Box:
Sony a7S III Mirrorless Camera
Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
Sony BC-QZ1 Battery Charger
Sony ALC-B1EM Body Cap for E-Mount Cameras
USB Type-C to Type-A Cable
Cable Protector
Shoulder Strap
Accessory Shoe Cap
Eyepiece Cup
Reviews
There are no reviews yet.